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Alan Moore talks about the Watchmen Movie and… The Wire

Ew.com published an  interview of the Master where he unsurprisingly tells us how little he expects from the upcoming Watchmen movie adaptation:

ENTERTAINMENT WEEKLY: Don’t you have the slightest curiosity about what Watchmen director Zack Snyder is doing with your work?
ALAN MOORE:
I would rather not know.

He’s supposed to be a very nice guy.
He may very well be, but the thing is that he’s also the person who made
300. I’ve not seen any recent comic book films, but I didn’t particularly like the book 300. I had a lot of problems with it, and everything I heard or saw about the film tended to increase [those problems] rather than reduce them: [that] it was racist, it was homophobic, and above all it was sublimely stupid. I know that that’s not what people going in to see a film like 300 are thinking about but…I wasn’t impressed with that…. I talked to [director] Terry Gilliam in the ’80s, and he asked me how I would make Watchmen into a film. I said, ”Well actually, Terry, if anybody asked me, I would have said, ‘I wouldn’t.”’ And I think that Terry [who aborted his attempted adaptation of the book] eventually came to agree with me. There are things that we did with Watchmen that could only work in a comic, and were indeed designed to show off things that other media can’t.

Then asked about television here’s what he has to say:

Do you ever relax and just watch television?
Selectively, mostly on DVD. The absolute pinnacle of anything I’ve seen recently has got to be
The Wire. It’s the most stunning piece of television that has ever come out of America, possibly the most stunning piece of television full-stop.

That’s a great example of storytelling that takes its time.
Absolutely, that is grown-up television! It’s novelistic. You get to find out about all these tiny different aspects of Baltimore, to build up a huge picture of the city with all of its intricacies — from the wharf side, to the kids in the projects, to the power structure with the boardrooms and police department and governor’s office. And it’s got some great writers: It’s got George Pelecanos and David Simon. And so many wonderful characters, Bubbles, Omar. So yeah, everything else looks pretty lame next to
The Wire.

With something like The Wire, do you ever think, I might not mind writing for TV?
That would be a possibility — but there again, I know how hard I have to fight. Apparently, HBO is being absolute princes with regards to
The Wire. It’s never had huge audiences, but they’ve kept funding it. They realized that this is a timeless, prestige program. This is one of the reasons why I’ve withdrawn from the comics industry: I do not want to deal with the people in these various industries anymore. But if that could somehow magically be arranged, if I could think of a good enough story, and if it had a chance of being the same caliber as The Wire — then yes, I would perhaps think about it. I do also tend to keep up on comedy programs.

As you can imagine I totally agree with him on The Wire, and I strongly recommend that you watch it if not done already.

Watchmen video journal #3

This time about a stunt shot in the prison. Click on Rorschach’s face to watch it.

Julien in India

Mon ami Julien a passé 4 mois en Inde. Petite sélection de ses photos les plus “brobros” (comme on dit chez nous), qui mélangent en vrac animaux rigolos, traditions survivantes et modernité bordélique (cliquez sur une photo pour l’agrandir) :

Si vous aimez les photos de Julien, sachez qu’il sait également tenir différents types de caméras, c’est même son métier. Jetez un oeil à sa bande sur son Myspace et balancez le lien à vos potes producteurs !

Playlist

Two great and dark LPs:

Remote - Dark Enough LP (Kill the DJ records)

Portishead - Third (Island records)

And a few nice tracks:

The Mole - Baby you’re the one (Wagon Repair)

Alix Roy - Club You (Scan X Rmx) (B Trax records)

D.I.M. - Is You (Ryan Laser Rmx)

Dave Clarke - Protective Custody (Christopher Kah Remix) Download it for free on Dave Clarke’s Myspace page

Poni Hoax - Crash-Pad Driver (Tigersushi)

Padded Cells - Triple X Syndrome (DC Recordings)

Nôze - Danse avec moi (Get Physical)

Last Shadow Puppets - Black Plant (Domino)

Hrdvsion - Playing For Keeps (The Mole remix)

Heckmann - Kiko 115 (AFU Lab)

Iron-Man de Jon Favreau

Back dans les bacs, enfin plutôt back dans les salles de cinéma après presque deux mois d’absence.

La saison des blockbusters est lancée avec une nouvelle adaptation de comics : Iron Man.

Cette séance a d’abord eu le mérite de nous balancer le programme des mois à venir : Hancock, The Dark Knight, The Hulk, Indiana Jones et the Happenning, le nouveau Shyamalan. On en reparlera.

Iron Man, c’est Tony Stark. Tony Stark, c’est une sorte de Bruce Wayne, milliardaire à tendance Géo Trouvetout, mais en moins dark (pas de parents assassinés), et en largement plus branleur. Tony est millardaire parce qu’il est marchand d’armes, et quand les méchant Moudjahidins Afghans le capturent et l’obligent à fabriquer un missile, il se fout bien de leur gueule en fabriquant une armure style boîte de conserve avec laquelle il la leur défonce (leur gueule).

Mais les scènes les plus géniales du film ne sont pas des scènes de combat : ce sont les tâtonnements de Tony dans son labo classieux, lorsqu’il conçoit et essaie sa 2ème version de l’armure. Entre ses logiciels à affichage Minority-Reportiens et ses robots assistants cocasses, il ya a matière à se marrer. Par contre quand Tony enfile l’armure et qu’il la sort pour un premier essai, là on fait moins les malins, la 3D est bluffante.

Robert Downey Jr incarne parfaitement Stark, au poil de barbiche près. Il est drôle, à l’image du film qui joue plutôt intelligemment la carte de l’humour, en mettant les effets spéciaux au service de gags très bien ficelées. Comme quoi la bonne vieille blague du mec qui se mange un râteau peut fonctionner dans une superproduction (le mec se mangeant alors des super râteaux générés par des ordinateurs qui coûtent cher).

En tant que lecteur de comics, c’est intéressant de voir comment les scénaristes pêchent des idées à gauche/à droite dans les 40 ans d’histoires et les milliers de pages du personnage. Pour le prochain film, ils se pourraient bien d’après ce qu’on vient de voir qu’ils exploitent le fameux arc “Demon in a bottle” dans lequel Stark devient alcoolo au dernier degré et doit prêter son armure à un copain.

Et apparemment le générique de fin (que j’ai lamentablement raté) présente un acteur bien connu du public dans le rôle d’un personnage bien connu des comics geeks. Chut…

Say your name again !?

According to weirdasianews.com, this guy really exists:

Parents must be serious geeks…

Playstation: Orcs

Nothing very new but I dig the image (click to enlarge).

Advertising Agency: BBDO Chile
Executive Creative Director: Joaquin Bascunan
Creative Directors: Cristian Schinadeerman, Emerson Navarrete
Art Director: Emerson Navarrete
Copywriter: Cristian Schinadeerman
Illustrator: Ricardo Salamanca
Photographer: Lautaro
Head of Art: Fernando Riveros

New Iron Man clip

Tony Takes the suit out for the first test flight.

The Ambo

Last Friday, Kingsland Road, London.

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